Robert Walker is uncanny. "[60] Leslie Halliwell felt that Hitchcock was "at his best" and that the film "makes superior suspense entertainment," but called the story "unsatisfactory. The website's consensus reads, "A provocative premise and inventive set design lights the way for Hitchcock diabolically entertaining masterpiece. "Shadow of a Doubt"), and its appeal is probably the linking of an in his childhood, when his father sent naughty little Alfred to the police and the other, far distant, makes a choking gesture. This fear is at the heart of many of Hitchcock "Strangers It was Hitchcock, not Tiomkin, whose idea brought the four evocative numbers[8] "The Band Played On", "Carolina in the Morning", "Oh, You Beautiful Doll", and "Baby Face" to the soundtrack: In one of Hitchcock's most explicit operatic gestures, the characters at the fateful carnival sing the score, giving it full dimension as part of the drama. Have watched this movie at least twice previously but it had been many years since I last saw it. That combination came in the first 'If the man had raised his head even slightly", Hitchcock said, "it would have gone from being a suspense film into a horror film. In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[3]. Hitchcock said that correct casting saved him "a reel of storytelling time", since audiences would sense qualities in the actors that did not have to be spelled out. ( IMDB). Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. [44] Hitchcock made personal appearances in most of them, and was often accompanied by his daughter. ${cardName} not available for the seller you chose. In Alfred Hitchcock's suspense classic, "Strangers On a Train", a naive and weary tennis pro unwisely allows himself to be enticed into the confidence of a seemingly silly stranger. Poor unfortunate girl. The emotionally-imblanced and immature Bruno expresses his feelings and Guy his problems in a chit chat. There's also the breathtaking runaway merry-go-round ride in the finale, where the operator is shot and the ride keeps going as frantic parents scream and the children hold onto the horses for dear . meeting on the train, which was probably planned by Bruno, plays more like a "Me, I never do anything important." "[65], Patricia Highsmith's opinion of the film varied over time. Once on the train, Bruno orders a pair of double drinks "The only kind of doubles I play", he says charmingly. Yet both men, like so many of Hitchcock's protagonists, are insecure and uncertain of their identity. The screen adaptation differed from Highsmith's book in that Haines is given a happy ending, having . [63], David Keyes, writing at Cinemaphile in 2002, saw the film as a seminal entry in its genre: "Aside from its very evident approach as a crowd-pleasing popcorn flick, the movie is one of the original shells for identity-inspired mystery thrillers, in which natural human behavior is the driving force behind the true macabre rather than supernatural elements. Psychotic mother's boy Bruno Anthony meets famous tennis professional Guy Haines on a train. Her suspicions aroused, Anne confronts Guy, who tells her the truth about Bruno's scheme. (This shot was famously unfaked, and the Dimitri Tiomkin's score, Robert Burke's cinematography, and Raymond Chandler's screenplay all add to this masterpiece. the DVD, 12 minutes and 16 seconds into the running time. stunt man could have been killed; Hitchcock said he would never take such a sister gets the creepiest lines in "Strangers on a Train," especially Ormonde hunkered down with Hitchcock's associate producer Barbara Keondisparagingly called "Hitchcock's factotum" by Chandler[19]and Alma Reville, Hitchcock's wife. Reviewed in the United States on September 29, 2021. The premise is fascinating because it was far more intricate than I had been led to believe. The kid Reviewed in the United States on January 10, 2023. [57] All the major elements of the scene the two men struggling, the accidentally shot attendant, the out-of-control merry-go-round, the crawling under the moving merry-go-round to disable it are present in Crispin's account,[58] though he received no screen credit for it. [11] Highsmith was quite annoyed when she later discovered who bought the rights for such a small amount. The psychopath suggests that because they each want to "get rid" of someone, they should "exchange" murders, and that way neither will be caught. Bruno orders with gusto and with an interest in what he is going to eat lamb chops, French fries, and chocolate ice cream. He found exactly what he needed right on the Warners lot in the person of staff cameraman Robert Burks, who would continue to work with Hitchcock, shooting every Hitchcock picture through to Marnie (1964), with the exception of Psycho. Screenshots. Variety praised it, writing: "Performance-wise, the cast comes through strongly. Reviewed in the United States on November 28, 2022. "[8] Perhaps it was the circumstances of her forced casting, but Roman became the target of Hitchcock's scorn throughout the production. As usual, Hitchcock kept his name out of the negotiations to keep the purchase price low. Certainly the casting of Farley Granger as Guy and Robert Walker as Bruno movie is usually ranked among Hitchcock's best (I would put it below only Hitchcock's biggest changes were in his two lead characters: The character called Bruno Antony in the film is called Charles Anthony Bruno in the book. In 1975, he won the Pulitzer Prize for distinguished criticism. He complained privately that Hitchcock was too ready to sacrifice dramatic logic (insofar as it exists) for the sake of a camera effect.[16] Interpersonal relations deteriorated rapidly until finally Chandler became openly combative; at one point, upon viewing Hitchcock struggling to exit from his limousine, Chandler remarked within earshot, "Look at the fat bastard trying to get out of his car! Guy wants blurting out what everyone is afraid to say. He knows that Guy is about to divorce his wife, and that he is also in love with Anne, the daughter of a US Senator. [18], There was not much time though less than three weeks until location shooting was scheduled to start in the East. As Guy listens with detached amusement, Bruno discusses the theory of \"exchange murders.\" Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? Full content visible, double tap to read brief content. The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip. He called the meetings "god-awful jabber sessions which seem to be an inevitable although painful part of the picture business. [9], Kasey Rogers (credited as Laura Elliott) noted that she had perfect vision at the time the movie was made, but Hitchcock insisted she wear the character's thick eyeglasses, even in long shots when regular glass lenses would have been undetectable. Once Bruno Antony acts on 'removing' Guy's wife, the movie ytakes off. is a plot made of ingenuity and amorality, based on the first novel by Patricia Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. Director Alfred Hitchcock Writers Raymond Chandler (screen play) Czenzi Ormonde (screen play) Whitfield Cook (adaptation) Stars Farley Granger Robert Walker Ruth Roman See production, box office & company info Watch on Prime Video Between the two versions of the film, the "British" version most prominently omits the final scene on the train. [22] The rest of the shooting would take place on Warner soundstages, including many seemingly exterior and on-location shots that were actually done inside in front of rear-projection screens. The theme of doubles is "the key element in the film's structure,"[46] and Hitchcock starts right off in his title sequence making this point: there are two taxicabs, two redcaps, two pairs of feet, two sets of train rails that cross twice. Morton (Ruth Roman), the daughter of a U.S. senator. A recently found longer prerelease British print (Side B) offers "a startling amplification of Bruno's flamboyance, his homoerotic attraction to Guy and his psychotic personality," according to Bill Desowitz of Film Comment. Upon its release in 1951, Strangers on a Train received mixed reviews. I love Hitchcock but hadn't ever watched this one until the other day, and I was pleasantly surprised in some ways but mostly very disappointed. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. with him than with Granger's playboy. In Hitchcock's cameo he carries a double bass. Beyond all the historical footnotes and film-buff fascination, Strangers on a Train remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. only the whites of his eyes showing. irresistible -- especially since Guy has a motive to murder his wife, was seen Great transfer, great black and white contrast. To the man committed to a career in politics, Bruno represents a tempting overthrow of all responsibility. Alfred Hitchcock's cameo appearance occurs 11 minutes into the film. Disc2 contains the (slightly longer) 'preview version' of the film,(not greatly different from the 'finished article' but still of interest). (original music by) Cinematography by Robert Burks . Alfred Hitchcock loved trains. Hitchcock's trademark cameo) but you can look for yourself, in chapter six of helps explain how Bruno could come so close to carrying out his plan. "[23], Burks considered his fourteen years with Hitchcock the best of his career: "You never have any trouble with him as long as you know your job and do it. [9] Granger described Hitchcock's attitude toward Roman as "disinterest" in the actress, and said he saw Hitchcock treat Edith Evanson the same way on the set of Rope (1948). + a very good 36 min documentary on the film ,a 7 min feature with 'murder victim' Laura Elliot, an 11 min 'Hitchcock family' feature and a 12min appreciation by director/fan M.Night Shyamalan- so all in all a good package of a film that's always worth another viewing,that's currently available at a good prices. Actually, it's doubly fascinating. "[22] Robert Burks received the film's sole Academy Award nomination for its black and white photography.[23]. That carousel scene was not faked! Although Hitchcock "[48] It ratchets up a notch when Guy leaves Bruno's compartment and "forgets" his cigarette lighter. Amateur tennis star Guy Haines wants to divorce his promiscuous wife Miriam so he can marry Anne Morton, the daughter of a US Senator. The film's climax, which takes place on a carousel, is one of the most complex scenes ever shot by the director. [6] In 2012, The Guardian praised the film writing "Hitchcock's study of the guilt that taints the human condition is just one cinematic masterstroke after another". Hitchcock also cast Granger in "Rope" (1948), based on the The police question Guy, but cannot confirm his alibi: a professor Guy met on the train was so drunk that he cannot remember their encounter. Guy takes this as a joke, but Bruno is serious and takes things into his own hands. This is a five minute mise en scene analysis podcast of the tennis scene from Alfred Hitchock's "Strangers on a Train" by Connor Best and Amanda McVey. With his new writer, he wanted to start from square one: At their first conference, Hitchcock made a show of pinching his nose, then holding up Chandler's draft with his thumb and forefinger and dropping it into a wastebasket. [10], Hitchcock secured the rights to the Patricia Highsmith novel for just $7,500 since it was her first novel. Although Hitchcock admitted to undercranking the shot (artificially accelerating the action),[34] it was not a trick shot: the man actually had to crawl under the spinning ride, just inches from possible injury. There are two sets of two detectives in two cities, two little boys at the two trips to the fairground, two old men at the carousel, two boyfriends accompanying the woman about to be murdered, and two Hitchcocks in the film. in front of Guy's house, and he quickly moves behind the gate with Bruno; the Master of Suspense often asked. After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its Alfred Hitchcock loved trains. Buy it! The No matter how well a football team plays, the match has a fixed temporality. How perfect for a playful proposal: I'll kill yours, you kill mine. Talking about the structure of the film, Hitchcock said to Truffaut, "Isn't it a fascinating design? Criss-cross. Guy is offended by at a carnival; Miriam and two boyfriends are in the boat ahead, and shadows on With no known link between the two men, the police would be none the wiser, would they? Synopsis. "[18]always a plus with Hitchcock. When Guy arrives home, Bruno informs him Miriam is dead and insists that he must now honor their deal. Off-handedly, he suggests to Guy that they trade murders: Bruno will kill Guy's troublesome wife, and Guy will eliminate Bruno's despised father. Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of everyday life and ordinary men.CREDITS:TM \u0026 Warner Bros. (1951)Cast: Farley Granger, Georges Renavent, Robert Walker, Patricia Hitchcock, Odette Myrtil, Ruth RomanDirector: Alfred HitchcockProducer: Alfred HitchcockScreenwriters: Raymond Chandler, Whitfield Cook, Ben Hecht, Patricia Highsmith, Czenzi OrmondeWHO ARE WE?The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Anne visits Bruno's home and tries explaining to his befuddled mother that her son is a murderer. station with a note asking the sergeant to lock him up until called for. See production, box office & company info. He must play as hard and as fast as he can in order to win the match, get off the court, and overtake the villain . "[17] This would be their last collaboration. Believing that Guy is trying to escape, a police officer shoots at him, but instead kills the carousel operator, causing the carousel to spin out of control. [12], Hitchcock then tried Raymond Chandler, who had earned an Oscar nomination for his first screenplay, Double Indemnity, in collaboration with Billy Wilder. I n the latest Oscar Isaac vehicle, Mojave, director William Monaghan recycles the familiar tale of one man's seemingly chance encounter with a menacing stranger - a trope that was perfected more than six decades ago by Alfred Hitchcock in his 1951 masterpiece Strangers on a Train. From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. Strangers on a Train (1951) was director Alfred Hitchcock's suspenseful, noirish black and white thriller about two train passengers: tennis pro Guy Haines (Farley Granger) and psychopathic dandy Bruno Antony (Robert Walker), who staged a battle of wits and proposed trading motiveless murders with each other. As with Shadow of a Doubt, Strangers on a Train is one of many Hitchcock films to explore the doppelgnger theme. My mum had said this was a great film, and she was right. This is one of Alfred Hitchcock's most complex amd multi-layered films. [19] Three notable additions the trio had made were the runaway merry-go-round, the cigarette lighter, and the thick eyeglasses. There are several differences in the British version of the film, including: One would have expected Hitchcock's return to major studio filmmaking to err on the side of chastened caution. One gets the feeling of a closeted homosexual constantly coming onto Guy. It proceeds, as Hitchcock's films While he had previous Hitchcock experience on Shadow of a Doubt (1943), and would go on to score two more consecutive Hitchcock films, the director and composer "simply never developed much of a kinship"[8] and "the Hitchcock films are not Tiomkin's best". Ordinary Washington locations become sinister hunting grounds that mirror perfectly the creeping terror that slowly consumes Guy, as the lethally smooth Bruno relentlessly pursues him to a frenzied climax. Summaries A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. One could study it forever. The U.S. Senate was busy investigating the suspicion that 'moral perverts' in the government were also undermining national security going so far as to commission a study, Employment of Homosexuals and Other Sex Perverts in Government. But that is precisely what they got: STRANGERS ON A TRAIN. At first glance, Guy represents the ordered life where people stick to rules, while Bruno comes from the world of chaos,[49] where they get thrown out of multiple colleges for drinking and gambling. Bruno's, which is looking straight ahead at Guy. There are two respectable and influential fathers, two women with eyeglasses, and two women at a party who delight in thinking up ways of committing the perfect crime. "[30] The first six takes went badlyElliott thudded to the floor with several feet yet to go[23]but on the seventh take, she floated smoothly all the way. The police assign an escort to watch him. Shipping cost, delivery date, and order total (including tax) shown at checkout. "Isn't it a fascinating design?" Strangers on a Train(1950) is a suspense thriller by Patricia Highsmith, based on the premise that two strangers swap murders. This triggers a flashback; Bruno compulsively squeezes the woman's neck, and other guests intervene to stop him from strangling her to death. She's behind Miriam in the early Strange thing about this trip. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. rotate in the same direction -- except one.). After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its passengers around, it is the location where one's diabolical "you do my murder, I"ll do yours" plot is hatched and used to seduce the other. 2003 biography says she often fell in love with straight women, and her stories It's worth noticing that Hitchcock builds the conflict on this. Bruno wants to kill his father, but knows he will be caught because he has a motive. Reviewed in the United Kingdom on July 30, 2017, Reviewed in the United Kingdom on January 26, 2016. The abiding terror in Alfred Hitchcock's life was that he would "[62] Roger Ebert has called Strangers on a Train a "first-rate thriller" that he considers one of Hitchcock's five best films. brainy criminals who functioned not out of passion but from careful But Hitchcock takes music to another level. To think she may have Strangers on a Train Blu-ray, Special Features and Extras: Commentary by Peter Bogdanovich, Peter Benchley, Alfred Hitchcock and many more. But a men's three-set tennis match can be eleven hours or thirty minutes, depending on tiebreakers and whether it even goes to three sets at all. Review of 2 Disc 2004 Warner Bros edition(with orange & white cover)- As this well known film(from 1951) is equally well analysed & described In many other reviews I'll just give an overview of what's on the discs. 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